Jul
6
to Jul 9

ACLA 2017

Panel: "The Poetics of Emergency"
Paper: "Hardly War, Always War: Don Mee Choi's Geopolitical Poetics"
American Comparative Literature Association Annual Conference
University of Utrecht
The Netherlands

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Feb
9
to Feb 11

AWP Washington, D.C.

"US/Pacific Poets Confronting US Empire"
with Brenda Shaughnessy, Laurence Minh-Bùi Davis, Lehua Taitano, and Lyz Soto. Moderator and panelist.
Friday, February 10, 1:30-2:45PM

Marquis Salon 12 & 13, Marriot Marquis, Meeting Level Two

"The International Writer-Teacher"
with Xu Xi, Patty Paine, Jane Lewty, and Raphael Dagold.
Saturday, February 11, 9:00-10:15AM
Liberty Salon L, Marriot Marquis, Meeting Level Four

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Nov
4
to Nov 6

Singapore Writers Festival

How Poetry is Liberated in Mixed Media
with Nancy Perloff and Divya Victor, moderated by Desmond Kon Zhicheng-Mingdé
Saturday November 5, 2:30-3:30PM; The Arts House, Screening Room

Americans in the Pacific
with Atia Abawi and Nisid Hajari, moderated by Elvin Lim
Sunday November 5, 10:00AM-11:00AM; The Arts House, Play Den

Crossing Boundaries I: Four Masters Read Excerpts from their Works
with Cole Swensen, Desmond Kon Zhicheng-Mingdé and Nancy Perloff
Sunday November 6, 8:30-9:30PM; The Arts House, Gallery II

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Jun
27
5:30 PM17:30

CURVED: Literature for Bilingual Immersive Multi-screen Environments

  • Gallery 360*, School of Creative Media (map)
  • Google Calendar ICS

曲面:關於雙語沉浸式多屏幕顯示環境的文獻

Gallery 360°, 8th Floor, School of Creative Media
City University of Hong Kong

An informal mix of screen-readings, immersive language-art works-in-progress, poetry, and political hacks. With visiting poets Scherezade Siobhan and Greg Bern.

Facebook event page
About the project

 

 

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Apr
2
9:00 AM09:00

AWP Los Angeles

"The Poetic Past: Crafting Poems Through Historical Material" with Campbell McGrath, Bettina Judd, Linwood Rumney, and John Drury.
Room 515 B, LA Convention Center, Meeting Room Level

Contemporary poetry is filled with work that explores historical material. Reflecting on the importance of this tradition, this panel offers insights into writing strategies, research practices, and professional opportunities for such work. What is the poet’s responsibility to historical accuracy and representing historical figures? What kind of research is done in crafting such poems? What strategies can poets use to write about and through historical material?

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